The album consists of 9 tracks, often featuring collaborations with prominent Italian artist : Azimut (3:44) A cosa pensano (3:42) Animali d'America (4:09) Deciditi (3:39) Messaggio (3:46) Principessa (4:28) La mano (5:35) Chan-son Egocentrique (duet with Franco Battiato) (3:52) Laura degli specchi (3:51) Context and Reception
Fans of high-resolution audio (like 16/44 FLAC) appreciate this album for its layered instrumentation, including acoustic piano, synthesizers, and violin. Recording Studios: Primarily recorded at Stone Castle Studios
The album's success was supported by the release of several singles. "Messaggio" was released in the summer of 1982 and achieved remarkable results, followed by "A cosa pensano" for the European market and "Chan-son Egocentrique" in 1983. The latter saw Alice return to Germany and Switzerland for a second successful international tour, solidifying her popularity outside of Italy.
Azimut serves as the spiritual and musical successor to her breakthrough album Alice (released as Capo Nord in some regions). However, Azimut pushes the boundaries even further. The word "azimuth" refers to an angular measurement in a spherical coordinate system—an apt title for an album that explicitly deals with themes of geographic displacement, spiritual navigation, existential longing, and cosmic observation. Battiato’s influence is woven tightly into the fabric of the record, contributing to the songwriting, conceptual direction, and structural arrangements. Track-by-Track Analysis: A Journey Through Sound
In 1982, the Italian music scene witnessed a transformative moment with the release of , the fifth studio album by the enigmatic singer-songwriter Alice (born Carla Bissi). Published under EMI Music , this record remains a cornerstone of Italian New Wave and Art Pop. A Masterpiece of Italian New Wave Alice - Azimut -1982 Pop- -Flac 16-44-
The tracklist balances commercial appeal with intellectual depth: "Messaggio"
The album closes with a cynical, fast-paced critique of Western consumerism and American cultural hegemony. Driven by an aggressive bassline and erratic synthesizer stabs, the track captures the anxious, paranoid energy of the Cold War era. Why the 16-Bit/44.1 kHz FLAC Format Matters for Azimut
The year 1982 was a watershed moment for European pop music. As the post-punk wave dissolved into the shimmering textures of new wave and synth-pop, artists across the continent began experimenting with electronic instrumentation to create music that was both avant-garde and deeply accessible. In Italy, this sonic revolution found one of its most sophisticated expressions in Azimut , the fourth studio album by the singer-songwriter Alice (born Carla Bissi).
A haunting, slower-tempo track that highlights Alice's vocal control. The instrumentation relies heavily on sweeping string synths and atmospheric keyboard pads. The high-fidelity lossless format prevents the dense synth pads from sounding muddy, preserving the airy, tragic atmosphere of the track. 3. "In Viaggio Sul Tuo Viso" The album consists of 9 tracks, often featuring
The album opens with its lead single, a track that perfectly bridges the gap between commercial pop accessibility and art-rock experimentation. Driven by a pulsing LinnDrum pattern and bright synthesizer stabs, Alice sings about the mechanics of human communication and missed connections. In 16-bit FLAC, the separation between the bouncy bass synth and the shimmering upper-register keyboard layers highlights the meticulous mixing style of Angelo Carrara. 2. "Principessa"
Azimut remains a masterclass in how to balance commercial appeal with uncompromising artistic integrity. It proved that pop music could be philosophical, electronic music could be deeply human, and Italian music could break regional boundaries to compete on a global stage.
For those who wish to truly appreciate the warmth, depth, and nuance of this 1982 gem, seeking out the music in a lossless format is the ideal way to experience it. Whether you are a long-time fan or a curious new listener, hearing "Azimut" in its pristine, high-fidelity glory is akin to hearing it anew. It is a journey into the heart of a masterwork, and it remains an unforgettable, highly recommended listening experience.
(What Are They Thinking): Featuring a "very catchy chorus," this single is a reflective piece on the inner lives of others, visualized through a long list of "thinkers". It's a snapshot of Alice's ability to turn profound philosophical questions into pop gold. The latter saw Alice return to Germany and
Summer hit single co-written by Battiato (as "Albert Kui") and Giusto Pio. Principessa A more traditional pop/AOR composition. La mano
the sound of Azimut to her other 80s albums like Park Hotel . Let me know how you'd like to explore this artist further . Azimut by Alice (Album, New Wave) - Rate Your Music
Alice - Azimut (1982): A Masterpiece of Italian Pop and Sophisti-Pop in FLAC 16-44
The 1982 recording was captured on magnetic tape. FLAC 16-44 acts as an exact digital clone of that master tape, preserving the subtle nuances, "air" around the vocals, and the warmth of the analog synths.
The album consists of nine tracks, most of which were written or co-written by Alice (credited as ). Side Credits / Notes A Azimut
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