Adjust the note lengths to create a gliding, legato effect common in old-school jungle arrangements. 🚀 Elevating Your Production Value
Load an RX2 break into your sampler. Map the slices across your keyboard. Instead of playing the loop straight through, reprogram the MIDI to trigger the snare on unexpected sixteenth notes, creating the classic "chopped" jungle edit.
The inclusion of RX2 (REX2) files is a game-changer. These sliced loops allow producers to change the tempo of the loop in their DAW without affecting the pitch, while retaining the rhythmic integrity.
Includes 52 standard breaks, 24 percussive loops, and 28 timestretched breaks. Authentic bass hits designed for sub-heavy jungle weight. Atmospherics 35 pads, 12 textures, and 12 bonus layered texture pads. Melodic Elements
Laser shoots, dub sirens, and tape delays to build tension before the drop. 2. Flexible MIDI Files OG Jungle Vol. 1 Sample Pack -WAV-MIDI-RX2-
The pack is structured to provide every element needed for full old-school Jungle or Hardcore productions: 52 Breaks and 24 Percussive Loops .
The developer states these samples are not found on other common commercially released packs, offering a more unique palette for underground styles. OG Jungle Vol. 1 - DEVIANT AUDIO
52 original breaks and 24 percussive loops, plus 28 timestretched breaks for that classic "chopped" feel.
Unlock the vault. Subscribe to the newsletter for updates on OG Jungle Vol. 2 (Coming soon: Dub Sirens & Rave Stabs). Adjust the note lengths to create a gliding,
The ultimate customization tool. If you love a bassline's rhythm but want to use a different synth sound, the MIDI file allows you to do exactly that. Tips for Using the OG Jungle Vol. 1 Pack
: A wide selection of pads and textures for creating the moody, "intelligent" Jungle soundscapes popularized by artists like LTJ Bukem or Peshay. FX & Vocals
Combine the sub-bass one-shots with a higher-frequency, distorted bass for a full-range sound.
Jungle is nothing without the breakbeat. OG Jungle Vol. 1 honors the foundation of the genre by including masterfully processed classic breaks alongside original, newly engineered drum loops. These loops have been treated with vintage compression, tape saturation, and bit-crushing emulation to mimic the grit of the iconic Akai S1000 sampler. Expect rolling snares, ghost-note heavy shuffles, and crisp hi-hats that instantly drive a track forward. Warm Sub-Bass and Ragga Basslines Instead of playing the loop straight through, reprogram
Jungle is about the interplay between sub-bass and mid-range bass. Take the Reese_Crushed_16bit.wav . High-pass it at 150hz. Then, layer the Sub_Sine_Deep.wav underneath. Sidechain the sub to the kick with a slow release.
: The undisputed heartbeat of jungle. This collection includes heavily sliced, re-arranged, and pitched-up breakbeats—ranging from classic Amen variations to rolled-out funk grooves—alongside old-school time-stretched drum layers that mimic early Akai sampler algorithms.
The inclusion of RX2 loops is a major selling point for those who use software like Reason, Logic Pro, Ableton Live, or FL Studio. The RX2 format, developed by Reason Studios (formerly Propellerhead Software), is a proprietary audio loop file format that allows for .
Unlike modern house music, jungle drums are busy . The kicks here are short and punchy (often taken from the first beat of a break), designed to sit under the snare rather than overpower it. The snares are layered—acoustic crack combined with a tight rimshot. Notably, there is a folder called "Pre-93 Rave Claps" featuring gated, cavernous reverbs that sound like they were recorded in a missile silo.
A key selling point of OG Jungle Vol. 1 is its commitment to "OG" authenticity. Rather than using modern software recreations, Fringe sourced the sounds directly from , processed them through vintage compressors, or sampled them directly from classic jungle vinyl and rare dubplates. This results in a "raw" and "dusty" sonic profile that mimics the output of legendary samplers like the Akai S1000 or the E-mu Emulator IV . Production Versatility